Home

Autographs

Contact

Email

 

Salome - Paris

 

Being in magnificent vocal shape, the American singer conquered her audience with her at once daring and supple instrument as well as her expressive and subtle singing

Monique Barichella
Opéra
 
 
 
Home
Biography
Engagements
Repertoire
Reviews
Photo Gallery
Audio
Press Area
News
Contact
 
photo gallery
production photos
snapshots & portraits
 
 
 
 

REVIEWS

Isolde
Brünnhilde
Färberin
Elektra
Salome

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
  Janice Baird is one of today's leading dramatic sopranos. It is above all with her powerful portrayals of the great Wagner and Strauss heroines that the attractive American has been brought to the eager attention of the international opera scene. An extremely gifted and intelligent singing actress, Miss Baird's combination of vocal prowess and sensitive as well as expressive acting makes her one of the most powerful and intensely expressive performers on the operatic stage today.  
     
  She made her sensational USA debut as ISOLDE in 2008 at the Metropolitan Opera in New York under the baton of James Levine, a rôle which she also celebrated great triumphs at the Hamburg State Opera, in Rome, Toulouse and at the Teatro Colón in Buenos Aires. She gave her highly praised rôle debuts as the Dyer's Wife (Färberin) in Strauss'  Die Frau Ohne Schatten (in Toulouse autumn 2006) and as MARIE in Wozzeck in Rome (October 2007).  
     
  Critically acclaimed as a charismatic singer and actor, Janice Baird enjoyed great successes as BRÜNNHILDE in Opera House Zürich, Stockholm, the Opéra de Marseille, Grand Théâtre de Genève, Teatro de la Maestranza Sevilla, at Teatro La Fenice in Venice, in Gothenburg, Copenhagen, Düsseldorf, Toulon, Théâtre du Capitôle Toulouse; Teatro Bellini Catania and at the Stuttgart State Opera. She sang BRÜNNHILDE in Loriot’s RING IN ONE EVENING at the Deutsche Oper Berlin and in Ring cycles in Birmingham and Ireland, and has received numerous nominations for singer of the year from the prestigious opera magazine Opernwelt for her interpretations of BRÜNNHILDE.  
     
  Among her favorite roles Janice Baird counts ELEKTRA, which she sang in Bilbao, at the Semperoper Dresden, Essen, Nantes, Rome, Palermo, Sevilla, Strasbourg, Toulouse, and the Opera House Zurich.  
     
  She made her debut as SALOME at the Vienna State Opera and had remarkable successes with this role at the Berlin State Opera, the Hanover State Opera, the Opera Leipzig, at the New National Theatre in Tokyo, at the Teatro Carlo Felice Genua, in Palermo and in June 2007 enjoyed a huge success as SALOME at the Salle Pleyel in Paris.  
     
  Equally at home in the italian dramatic soprano repertoire Janice Baird's most recently successes have been as TURANDOT in Rome, Athens, Berlin and Seville; MINNIE in La Fanciulla del West in Rome and Sevilla sowie LADY MACBETH an der Staatsoper Berlin und in Mexico.  
     
  Other roles of her widely spread repertoire are ARIADNE, ORTRUD, SENTA, VENUS, VIOLANTA, TOSCA, TURANDOT, MINNIE in La Fanciulla del West as well as the title roles in FIDELIO, ABIGAILLE in Nabucco,  AMELIA in Un Ballo in Maschera  and LADY MACBETH.  
   
  Janice Baird was born on Manhattan's Upper West Side just steps away from Lincoln Center in a musically influenced family. Her mother was a singer and her father a voice teacher. She studied music, flute, singing and also acting at HB Actors Studio in New York City. Miss Baird's first engagements were in Germany where she carefully developed her rich mezzo soprano moving then to soprano repertoire with great success. Through master classes with Birgit NILSSON and intensive private study with Astrid VARNAY with whom she studied all the major Wagner and Strauss roles, she then added the highly dramatic repertoire with which she was able to lay the foundation for her international career.  
     
  This took off quickly, and today Janice Baird is a regular guest of most major opera companies around the world, including the State Opera of Berlin, the Deutsche Oper Berlin, Bilbao, Birmingham, Buenos Aires, Catania, the Semperoper Dresden, Essen, Geneva, Genua, Hamburg State Opera, Leipzig Opera, Marseille, Metropolitan Opera of New York, Nantes, Palermo, Paris, Rome, Santiago de Chile, Seattle, Seville, Tel Aviv, Tokyo, Toulouse, Trieste, Venice, Verona, at the Vienna State Opera, and in Zurich, to name a few.  
     
  Concert performances have brought the soprano to the Glocke in Bremen, to the Tonhalle Düsseldorf, to the Gewandhaus in Leipzig, to Verona, and to Catania among other venues. Her concert repertoire includes “Ah! Perfido“ and Symphony No. 9 by Beethoven, Berg’s „Sieben frühe Lieder“, “Les Nuits d'Été“ and „La Mort de Cléopâtre“ by Berlioz, Britten’s “War Requiem“, Mahler’s “Rückert Lieder“ and Symphony No. 2, Ravel’s „Schéhérazade“, „Wozzeck Bruchstücke“ and Verdi’s „Requiem“ as well as “Wesendonck-Lieder“, “Vier letzte Lieder“ and “Lyrische Sinfonie“ by Zemlinsky.  
     
  Janice Baird's next appearances include ELEKTRA at the Vienna State Opera and in concerts with Maestro Kent NAGANO and Maestro Donald RUNNICLES; TURANDOT at the Deutsche Oper BERLIN, SEVILLA and in ATHENS; ISOLDE in DÜSSELDORF, BRÜNNHILDE in Siegfried in Deutsche Oper BERLIN, she is the BRÜNNHILDE in the RING in SEATTLE summer 2009, and she is the SALOME in in Robert Carsen's production in Florence. Janice Baird is the DYER'S WIFE in a new production of DIE FRAU OHNE SCHaTTEN in ZÜRICH - Conductor Welser-Möst & Director David Poutney.  
   
  As an American who was raised and studied both in Europe and America, Ms. Baird speaks German, English, Italian, French and Spanish and currently lives in Berlin, Germany and in Andalucia, Spain.  
 
 

Isolde

Metropolitan Opera

 

"An attractive woman with a strong and bright voice, she was an honorable Isolde. She had secure top notes and a gleaming middle range... she sang with focus, energy and stamina, and won an enthusiastic ovation from the audience."

Anthony Tommasini
New York Times
 
Janice Baird, had made her Met debut in that earlier performance and won warm applause for her courage and professionalism. This time she drew cheers for her singing as well. Given a chance to warm up and sing an entire performance, she made a striking impression indeed. Matching Heppner decibel for decibel, she threw herself into the emotions of the role as well - the humiliation and rage of Act 1, the passion of Act 2, and the grief after Tristan dies in Act 3.
Mike Silverman - Associated Press - March 26, 2008
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Official site of soprano Janice BAIRD -  Copyright © ERA webdesign. All Rights Reserved

Janice Baird Official Biography - do not change

last updated Mai 2010